By Brian W. Aldiss
This re-creation of Brian Aldiss's vintage anthology brings jointly a various choice of technology fiction spanning over sixty years, from Isaac Asimov's 'Nightfall', first released in 1941, to the 2006 tale 'Friends in Need' by way of Eliza Blair. together with authors corresponding to Clifford Simak, Harry Harrison, Bruce Sterling, A. E. Van Vogt and Brian Aldiss himself, those tales painting struggles opposed to machines, epic trips, genetic experiments, time visitors and alien races. From tales set on the earth, to uncanny a ways far-off worlds and old burnt-out suns, the single consistent is humanity itself, forced via a frequently deadly interest to discover the boundless frontiers of time, house and chance.
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A wide, 17-entry selection of unique tales, compiled through an established Asimov collaborator, to have fun Isaac Asimov's first 50 years (1739-89) as a printed author. all the tales this is set in a single or one other of Asimov's invented worlds. hence, within the secret division, Edward Wellen proffers a brand new tale approximately Asimov's eccentric near-future detective, Wendell Urth, whereas Edward D.
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Extra resources for A Science Fiction Omnibus
It all seems a “bit much” to accept so uncritically at this late date, but not deliberately going back to examine one’s inherited and critically unexamined starting assumptions often results in such odd effects . as Descartes himself realized all too acutely. Finally, the unexamined conflation of “mind” with “human mind” leaves the entire question of the species-specific peculiarity of this kind of human “mindedness” untouched. If we are, indeed, dealing with yet another product of biological evolution, what is it that allows the human mind to engage in abstractive, symbolic reasoning, self-reflective intellection, “language games” of all kinds and the ability to imaginatively manipulate reality “off-line” as it were?
As well as] what he has inherited in and with these languages: namely, a way of ordering both thought and the world expressed in a set of meanings. These meanings have a history . [but] because the presence of his languages was invisible to Descartes [he does not realize that] how much of what he took to be the spontaneous reflections of his own mind is in fact a repetition of sentences and phrases from his school textbooks – even the Cogito is to be found in Saint Augustine” (1974: 60). Inspired by the reformationist and revolutionary zeitgeist of his time, however, Descartes was not the only one of his contemporaries agitating for a clean break with the medieval past.
And as it is this account that set the course of the next three centuries of thinking about “knowing” in the West, it is worth considering MacIntyre’s analysis of Descartes’ history-changing enterprise in full: “Descartes starts from the assumption that he knows nothing whatsoever until he can discover a presuppositionless first principle on which all else can be founded. [In so doing] he invents an unhistorical self-endorsed self-consciousness and tries to describe his epistemological crisis in terms of it.
A Science Fiction Omnibus by Brian W. Aldiss